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The sequel to a burning cross October 21, 2009

[Addiction. You. Me. This.]

Oh, I’m ready, alright, ready to relapse, ready to give up the fight. Ready to succumb to all of my memories, all of our memories, ready to lay down in the street and let the asphalt swallow me whole.

Like an addict, you are all I can think of, my golden fix. Have you ever stopped to wonder why they call it a “fix”? Maybe because it is.

[Darling. Dearest. Words reserved for you, like those other five words.]

I sit here, trying my damnest to be serene, gazing upon the beauty I have built, but all I can think about is the destruction I’ve caused. A burning cross, tilted, aflame in the Los Angeles sunset, a delicate cupcake and a blank face: this may be all I have left. That and the skull you loved to press your hand on while we studied bodies and insides.

[Sober. Drunk. It makes no difference.]

Send me into rehab, if you like, but to no avail. I will gnaw off my shackles and claw myself back to the promises made. See, the thing is, I was telling you the truth. Which makes me want to believe that you were, too.

[Naked. Stripped. Blind. Jennifer. Veronica. What now?]

Rain trickles down my spine like a gray Seattle day filled with Radioheads and paper bags. Everything, everything. All of the time. All of the time.

Once I was inside of you, and I’ve never been more comfortable.

[Literal. Physical. It was my favorite moment, besides the first. Several hundred.]

So now I am left to my own devices, an empty porch, hollow eyes. Millions of miles away and still dreaming of that place.

[Justine, Justine.]

 

The first of many parts October 21, 2009

These words don’t mean anything.

Don’t listen any further.

Don’t feel any obligation to pay attention to me, because I’m just rambling.

And I don’t believe in this voice enough to sing, to shout, to scream, even though that’s all I want to do.

Stand at a microphone under hot lights, blinding lights, and claw at my clothes and be someone other than me, be somewhere other than here, because 2007 is not 1981.

And 1981 is not February, 1980, it’s just some arbitrary year that I suspect was cool because it conjures up images of X and Dodger Stadium and something more than February 1980 when I was just an embryo reminiscent of hope, just a life to replace a death that will never mean anything more than history to me.

See, I was this sort of sunrise, some sort of second chance, I suppose, but probably, at the time, I was just a way out. I’m an adult now; I can make these sorts of assumptions.

I almost drowned twice, early on. The first time I was being lulled to the sea, waves rolling over me, the ocean ultimately stealing my something or other.

But me, I was retrieved.

When I was a little older, I was aware enough to know that I wanted a life in front of a microphone. Oh, I got it, plunked in front of that tall pole in my cousin’s recording studio, but I froze, because I wasn’t ready for you to hear my voice, and if you catch me singing now, it’s like a minotaur, and you had better know that chance dances away before you realize what you just witnessed.

So darling, you’re stuck with my words glued to the page, scrawled, scratched, bleeding messy puddles of ink traveling down the gutters of relevance and innocence and violence, because somehow I am a culmination of all of that, even if I am told otherwise, even if the truth is denied. There are certain harsh facts, and while they usually are hidden deep inside my hazel eyes, they are still California truths.

Someone in my family was executed in the days before I was conceived and perceive what you will from that knowledge. I do not claim to be a replacement for an uncle I’ll never know, a brother that will never show, a son never forgotten but whose name was recalled like he just stepped out for a bit, and it affects me even if no one ever talks about it.

Maybe things would’ve been different, maybe I’d be confident, maybe I’d be able to sing some good into the hearts of those who hoped, maybe there’d still be X and Dodger Stadium and 10 Freeways not littered with Mustang glass and such, and maybe none of this really adds up, maybe it’s just speculation, trying to cover up desperation like you try to cover up horror with an adult hand over child eyes, never enough, because the kid always sees through the cracks.

And so will I ever be whole or just a sum of parts making no sense or a history no one speaks, a timeline filled with holes?

And here we are, crop circle, nothing making sense except for me trying to explain how I’ve been affected by affections and acceptions and exceptions to standard rules of family and truths.

And here’s the truth. I’m aware and wary and weary of all that is not told, all that is not sang, and all that is sang repeatedly, as though our only history lay in the confines of a guitar pick on Christmas instead of smoking cigarettes in a Los Angeles parking lot.

And so there I was born.

 

There’s a speed limit for a reason. October 20, 2009

Sometimes, I miss having a car. Specifically, I miss my Mustang. I know, I know, I’ve said this a million times. But I miss driving down the 101, windows down, ash from my Parliaments flying through the air, music thumping, all alone, able to sing at the top of my lungs and choose the songs I want to hear without caring about someone else. I had it all down – as soon as I hit Calabasas, I put Incubus on, but only “Morning View,” because that is nothing if not a Highway 101 song.

What I really miss about that ride is being with my best friend. Myself. I miss the solitude. I miss ignoring phone calls and singing louder, feeling the sun on my arms, pretending like I knew what love lost felt like, instead of actually knowing.

I feel kind of like a tool for quoting Incubus in a blog. But it’s apropos. Especially the line, “I am only a man.” I’m only human. I make mistakes constantly, a lot of them, and I want off this ride. I want to go back to that innocence of flying down the coast, not really being able to identify with all the songs I love.

I hate the loss of control I have now. Before, I used to be able to put a cd on, and know what was coming next. Instead, I have to deal with bone-crushing songs coming on my ipod when I least expect them, like the Yeah Yeah Yeah’s “Maps.” 

I don’t want to go home. I want to get in the car, and find my best friend, and sing all the way to Los Angeles and beyond, and leave behind the geography of my faults. 

Seven am;
The garbage truck beeps as it backs up
And I start my day thinking about what I’ve thrown away.
Could I push rewind?
The credits traverse, signifying the end
But I missed the best part.
Could we please go back to start?
Forgive my indecision

Then again, Then again, Then again, you’re always first when no one’s on your side
But, then again, a day will come when I want off that ride.

Eleven am,
By now you would think that I would be up
But my bedsheets shade the heat of choices I’ve made
And what did I find?
I never thought I could want someone so much
‘Cause now you’re not here and I’m knee deep in that old fear.
Forgive my indecision… I am only a man.

Then again, Then again, Then again, you’re always first when no one’s on your side
But, then again, a day will come when I want off that ride.

Twelve pm and my dusty telephone rings.
Heavy head up from my pillow, who could it be?
I hope its you.

Then again, you’re always first when no one’s on your side
But, then again, the day has come and I want off that ride.

 

 
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